Master Ichi (Shintaro Katsu), the blind masseur, expert gambler, and master swordsman, goes on a pilgrimage to visit 88 shrines to atone for all the people that he's killed in the previous 13 movies. But wouldn't you know it, not long after visiting the first temple he gets caught up in a small village's drama, as they are being menaced by gangster and horse trader Tohachi (Isao Yamagata) and his cronies.

Ichi also begins a chaste romance with local girl Kichi (Michiyo Yasuda). Also featuring Masao Mishima, and Hisashi Igawa.

I liked that the script (co-written by Kaneto Shindo & Kan Shimozawa) addresses the mental toll that Ichi's character deals with as a good guy driven to violent resolutions. I was impressed with Yasuda as the plucky Kichi, who refuses to back down from the villains. I've read that she was a big star in Japan in the latter half of the decade, so I'd be interested in tracking down more of her work. This film's finale is also noteworthy, as it shows Ichi struggling a bit, which is quite a contrast to some of the earlier films that show him as an unstoppable force of nature.

The general standard for Zatoichi films is fairly high - though you can expect the same motifs and themes from one movie to the next. Zatoichi's Pilgrimage brings the series to a new level. Our blind swordsman (Kintaro Katsu) is troubled by his violent past, and vows to visit a circuit of shrines until the gods give him an answer to his spiritual quest. This quest brings him into contact with a group of brigands who all but rule the area, and he's left with little choice but to reassess his spiritual quest.

The screenplay is especially intriguing. Zatoichi's pilgrimage begins as a sea voyage, and the water theme repeatedly makes its way into the plot. In the hope of realizing his quest, a rider- less horse follows the blind swordsman to where he's most needed - suggesting that Zatoichi may have already found his destiny. An assured storytelling makes this one of the more satisfying of the long series.

This film is #14 of the Zatoichi series and distinguished itself from the other Zatoichi movies in that it had a lively and interesting storyline and some lessons behind it. This film also has a history of being hard to find in that it was not originally released for the English market in the United States until Criterion provided the complete collection. The screenplay is by Kaneto Shindo who is a well-respected filmmaker in his own right and did Onibaba. The eye-pleasing cinematography continues with a wider scope and panorama that was in #12 of the series Zatoichi and the Chess Expert. There are some beautiful natural scenes shot for the larger movie screen. The color is vibrant and attractive. It is directed by Kazuo Ikehiro who did two other Zatoichi movies and he didn't disappoint with this one as the story breezes along.

The opening action sequence takes place on a boat where Zatoichi deals with a brazen pickpocket who challenges and beats the victim and those who witnessed it after being exposed for his crime. He was about to get away with until Zatoichi brought his own brand of justice. Next, we see Zatoichi climb many steps in order to get to a Shinto temple. There he prays to the Shinto spirits to atone for all the people he killed. He says when he set out he did not mean to kill anyone and to make amends he vows to make a pilgrimage to all 88 Shinto shrines. Zatoichi's introspection follows from the previous two movies and #13 Zatoichi's Vengeance where we see his brand of moral code is revealed.

It's not long before violence meets the peace seeking Zatoichi. Zatoichi even allows himself to be cut by the sister of a man he killed in self-defense. The man Zatoichi killed was trying to kill him for the a bounty placed on his head. The horse the bounty hunter was riding takes him to a village in a curious scene. This is supposed to be the spirits telling him to go there. Zatoichi would have to put his quest for peace and meditation on hold. When one's new friend, Kichi, the sister of the bounty hunter he killed, and the unarmed farmers are being bullied by the bad, then it is time to take military action.

Besides Zatoichi developing his personal code of ethics, he faces a dilemma in taking the side of the farmers in his battle against a powerful country yakuza. If there ever was a vicious tyrant that Zatoichi is to face, Boss Tohachi, played by Isao Yamagata, is the one. Zatoichi wants the farmers to help him fight the well equipped gang, but they decide to hide in their homes and let Zatoichi go at it alone for them. If Zatoichi gets killed, then they figure they can negotiate with Boss Tohachi. Zatoichi faces a moral dilemma between helping his new friend Michiko and helping selfish farmers who won't even stand up and fight to rule their own lands. Kichi, who has fallen in love with Zatoichi, wants him to leave so he won't get hurt or killed. It is one solution to his dilemma if Zatoichi did leave, but he stays to fight by himself. It's part of his code. He stands in the middle of the town road while the country yakuza face him on the opposite side reminiscent of High Noon. The fighting scenes are well choreographed and overall this makes for an interesting addition to the Zatoichi series. The extra money that was put in to hire better writers, directors, and film crew definitely show up in the end product.