Wealthy art gallery owner Jae-hoon (Jeong Bo-seok) waits in a hotel room to have sex with screenwriter Soo-jung (Lee Eun-ju). She phones, however, and claims to be running late and expresses some doubts about consummating their relationship. Later, the scene is replayed but from Soo-jung's point of view with a different result. With its title derived from a surreal artwork by Marcel Duchamp titled "The Bride Stripped Bare by her Bachelors", Hong Sang-soo's elliptical comedy drama A Virgin Stripped Bare by her Bachelors is a process of discovery for both the characters and the viewer. Whether the theme is viewed as the subjectivity of memory or how our perceptions change with each new event, Hong strips away the illusion from romantic love and allows us to see how ambivalent we all may be beyond our idealization.

The film is divided into five parts, each chapter introduced by enigmatic titles such as "Perhaps Intention", "Perhaps Coincidence", and "Perhaps Accident", and separated by a fade to black, reminiscent of Jim Jarmusch's Stranger in Paradise. The first, third, and fifth parts take place in the present; the second and fourth parts show the history of the couple from their first encounter to the present and reflect the characters' different perceptions/memories. The chapter "Perhaps by Accident" seems to describe Jae-hoon as one who believes that reality is controlled by fate. "Perhaps Intention" describes the assumptions of Soo-jung who makes her decisions based on her assessment of men's true motives and values, judging them by their actions not their words.

From the outset, the film's narrative appears to be linear as it traces a love triangle that develops between Jae-hoon, Soo-jung and Young-soo, an independent filmmaker. The characters are very real and their desires and frustrations are palpable. However, halfway through, the film begins to repeat episodes from earlier chapters which are dramatized from a different perspective and show slight variations in detail. The second chapter is a flashback to the couple's first meeting. Filmmaker Young-soo (Moon Seong-keun) attends an exhibition at Jae-hoon's art gallery with Soo-jung to gain some inspiration for the film they are working on. The two agree to have lunch with Jae-hoon, perhaps to persuade the wealthy gallery owner to provide some financial backing for the film.

A few days later, when Jae-hoon meets Soo-jung at Kyongbokgoong Palace, he discovers that she has a pair of gloves that he accidentally left on a bench and believes the incident to be very much a coincidence. When the incident is dramatized the second time, however, it appears that Soo-jung has intentionally scheduled the film crew to meet on the Palace grounds because she knows that Jae-hoon goes there for lunch. Jae-hoon becomes attracted to Soo-jung and asks her to have sex with him and become her lover. She tells him that she will accept his offer but only when they go out for a drink. The sex scenes are erotic but not graphic and reveal the lovers' emotional pain lying just beneath the surface.

Enhanced by an exquisite original score by OK Kil-sung and the striking black and white cinematography of Choi Yeong-taek, Virgin Stripped Bare by her Bachelors is a beautiful and thoughtful film whose concluding epiphany left me with a lovely glow. Sadly, however, the glow was short lived as I soon discovered that on the night of February 22, 2005, Lee Eun-ju committed suicide at her apartment only a few days after graduating from Dankook University. She was only 24 years old. The memory of her great performance in this outstanding film will long remain.

Well, here's a Korean movie that even lovers of Godard (and Bergman, to a lesser extent) might love. Shot in radiant black-and-white (gorgeous), this film tells the story of a young woman Soo-jung (LEE Eun-Joo), "courted" by one acquaintance (and also pursued by her boss) in two equal parts -- first from the perspective (mostly) of the young woman's would-be lover, and then (from the top) from the woman's point of view (but again, mainly only mostly). Sometimes the matching scenes are almost identical, other times they are radically different. Most interesting, however, are the matches when only relatively small details are slightly differently remembered (?). This could be sterile and abstract (and some critics have complained), but I found it quite accessible and enjoyable. Our heroine's sensibilities seem a bit more robust (despite her virginal state) than those of either of her men -- and the "second time around" of the story often seems a bit more humorous. Due to my imperfect memory, several viewing will be required until I can pull all the pierces of this film together. Nonetheless, I'd say this is very much worth watching.

According to the synopsis in the film festival booklet, the movie plays like a Rashomon of a love triangle. Well... kind of.

Despite its provocative title, Virgin is essentially a romance, with a deflowering at the end of it. But it is told from the different points of view of the two lovers. The black and white film starts off with the man, Jaewoon, begging his girlfriend to meet him.

We then go through 7 days/stages of the courtship from his point of view, and then the same 7 days/stages as how Soojung saw it. I saw the POVs as memories of what the two protagonists had of their courtship.

The differences are subtle but I felt they were very real. People tend to have different perception of the same event, or they may remember different salient points, or even mix up memories.

For example, in one kissing scene, Jaewoon remembers sweeping a fork off the table while Soojung thought it was a spoon. The events and dialogue also get mixed up as memories get hazy. For instance, a particular dialogue about drinking took place in two places in the different versions.

I really enjoyed the movie even though I do not like the romance genre in general. It was something I could relate to. Especially in courtships, both parties usually have slightly differing views of how it REALLY happened.