This was the first Bergman movie I ever watched. Consequently, it holds sort of a special place in my catalogue of movie memories.

I enjoyed the depiction of the numerous relationships between people or objects which were kept apart by walls or a "dark glass." The artist and the fullness of what he/she is attempting to depict, mankind and God, and more particularly in the film, between Minus and women, Minus and David, etc..

The most gripping, however, were the relationship between David and Karin, and between Karin and "God." I'm not going to get into detail for the sake of those who haven't seen the film. But Bjornstrand's line about the "magic circle" we draw around ourselves instantly vaulted close to the top of my list of movie lines which have impacted me.

Lastly, I appreciated how the von Sydow character, Martin, acted as a representation of what love is not, i.e. his desire to always do the right thing, rather than the honest thing.

A character study set on a secluded island off the coast of Sweden, `Through A Glass, Darkly' is Ingmar Bergman's pensive chronicle of a young woman's descent into the maelstrom of schizophrenia. The story centers on Karin (Harriet Andersson), who has reached a pivotal juncture in her life; having just been released from a mental hospital, she must now face the uncertainties inherent in the nature of her illness. It is a crucial period in her life; she occupies a middle ground between two worlds, and the question now is, will she ultimately emerge in the light, or succumb to the darkness of the voices that beckon her from within. Through Bergman's eyes we observe the effects of her situation on the three people closest to her, her husband, Martin (Max von Sydow), her father, David (Gunnar Bjornstrand) and her brother, Minus (Lars Passgard). The movie explores their relationships to Karin (and to one another), and how differently each one them strives to cope with and understand her elusive affliction. An absorbing, evocative and sometimes tense drama, the film is impeccably delivered by Bergman, and the performances are all exemplary, especially Harriet Andersson, who brings the tortured soul of Karin to life with nuance and a depth and grasp of the character that is remarkable. Von Sydow is also perfect as the troubled Martin, and aptly conveys the quandary of his situation, which he approaches with a reserved, committed gentleness. Bjornstrand maintains a stoic presence throughout as the novelist/father attempting to resolve an inner conflict borne of guilt and doubtful motives, and Passgard gives a notable performance, as well; his angst and confusion are deeply felt and well played. The first of Bergman's 'Faith' trilogy (followed by `Winter Light' and `The Silence'), `Through A Glass, Darkly' is one of his finest works, an intricate exploration of the fragility of the human psyche and the complexities of life. An Oscar winner for Best Foreign Film of 1961, it firmly establishes Bergman as one of Cinema's greatest directors. It is an emotional and engrossing film that should not be missed. I rate this one 10/10.

Ingmar Bergman I love and admire very much, and Through a Glass Darkly is another example of a brilliant film. It may not be among Bergman's finest like The Seventh Seal, Wild Strawberries, Fanny and Alexander, Cries and Whispers and Persona, but there is much to love. The cinematography as ever from Sven Nykist looks atmospheric and beautiful at the same time and the scenery likewise. Bergman's direction is as ever accomplished, allowing us to be constantly engaged no matter how bleak the story is, and this is quite an unrelenting and I think incredibly moving story. His summer images are far from the optimistic ones we are used to, but bleaker and more searching. Considering the story though, this approach was necessary I think. The music is as ever haunting, and the film is very thought-provoking, which has always been the case actually with the written quality of Bergman's films. Of the acting, Harriet Andersson has a role that is quite impossible, but she is just outstanding in it. Max Von Sydow as ever impresses with his knowing face and commanding presence, and Gunner Bjornstrand gives a performance that requires him to be morbidly curious and helpless than his somewhat droll one in The Seventh Seal and he excels here. In a nutshell, brilliant and definitely worth watching. 9/10 Bethany Cox