If you are expecting a neat little movie with a clear plot, that leaves you with a sense of having experienced something you can summarize easily ... you'll be sorely disappointed. This is a horror film in many senses, presented as poetry and intellectually obscure.

Its title, Leviathan, is a reference to the biblical passage that depicts man's encounter with a sea monster. Here, the monster is man, ripping life from the sea and destroying it in the harshest of ways, butchering sea creatures in such a matter-of-fact, emotionally detached way as to bring you to tears. But the way it is filmed creates a detachment of its own, sort of stifling the viewers' emotions so we can watch without turning away.

It is on its surface a commentary on the commercial fishing industry ... how we have reduced mass slaughter to an assembly-line process ... much like what the Nazis did to the Jews. When man turns against man, we are horrified. When man turns against nature ... it's just business as usual.

If there is a message to the film it's that we are the monsters on this planet.

This experimental-documentary film examines in a very concise manner the problematic of mass consumption featuring a fishing ship as an all- devouring sea monster - Leviathan. The viewer is immediately immersed in a dark vision of this demonic large steel beast which leaves behind the remains of sea creatures and coloring sea water in red, surrounded with the sounds of fluttering semi-living fish, chains, anchors, ocean and screams of seagulls. They all create this sinister sound like a choked howls from abyss. An impressive visual and sound voyage and innovative approach to the issue (mass consumption) characterize this exceptional work about insufficiently identified atrocities of contemporary civilization.

LEVIATHAN has attracted a fair amount of negative criticism from users. The reason is obvious: it is an essentially plot less piece designed to appeal to the senses and the imagination rather than telling a story. Focusing on the fishing industry in New Bedford, USA, directors Lucien Castaing-Taylor and Verena Paravel create a visually arresting experience in which color and imagery assume paramount importance. The movie is full of memorable images - a flock of seagulls flying at night, a lone bird trying to find food on the fishing boat, the sight of the fishermen lopping the heads off their catch. The movie has a memorable soundtrack, with the sounds of daily life in the fishing industry forming a kind of musique-concrete style score that has a certain haunting power. In thematic terms, the directors are out to show the power of the elements and how human life often seems insignificant by comparison - sometimes the fishermen seem entirely at the mercy of the cruel sea. Nonetheless they acquire a certain stoicism that enables them to continue their work; in one sequence, for instance, a lone fishermen is shown watching the television during one of his all-too- brief breaks from his nightly chores. LEVIATHAN does not celebrate the fishermen's life; it is more concerned to create an experience for viewers, and more than fulfills the task.