I Am a Fugitive from a Chain Gang

1932

Action / Crime / Drama / Film-Noir

14
Rotten Tomatoes Critics - Certified Fresh 96% · 28 reviews
Rotten Tomatoes Audience - Upright 91% · 2.5K ratings
IMDb Rating 8.2/10 10 14433 14.4K

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Plot summary

A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.


Uploaded by: FREEMAN
April 26, 2021 at 10:23 AM

Director

Top cast

Dennis O'Keefe as Café Chateau Dancer
Glenda Farrell as Marie Woods
Paul Muni as James Allen
720p.BLU 1080p.BLU
850.71 MB
956*720
English 2.0
NR
23.976 fps
1 hr 32 min
Seeds 2
1.54 GB
1424*1072
English 2.0
NR
23.976 fps
1 hr 32 min
Seeds 8

Movie Reviews

Reviewed by Night Must Fall 9 / 10

A true classic AND a brave indictment. Excellent!!!

Without a doubt, this is one of the finest films I have seen. Paul Muni's performance is so good, it's practically indescribable. I thought he was extremely believable as the unduly accused and convicted James Allen. This story will rip your heart out, and rightly so. The film is very well done in every way, down to the smallest detail (best example of this: the disgusting looking prison food – if you can call it that). The use of newspaper headlines is extremely effective, as well as the very realistic scenes in the prison and work yard, and the whole environment in which Allen must live. The viewer can almost feel Allen's pain as the other inmate hammers away at his leg chains to give him a glimpse of hope toward freedom. However, even the scenes of Allen's life on the outside still evoke a sense of foreboding. This is a very powerful film.

I saw it as part of the Essentials series on Turner Classic Movies, and Robert Osborne said that the real-life protagonist on whom this film is based acted as a consultant. Since he was still on the run, however, he was not credited. The whole situation is so sad, and this sadness and feeling of oppression hang over the film with such realism, that sometimes it is as though you are watching Allen's life caught on videotape, instead of a motion picture. It is extremely gripping and downbeat, with a killer ending. The fact that it's a true story just adds to the pervasive feeling of doom. Way ahead of its time, and a brave picture to make in its indictment of the justice system. WOW.

TWO FAVORITE MOMENTS: 1) Allen looking directly at the policeman in the barbershop with a determined, steely glare, as if suddenly realizing that he will not be recognized, and simply defying the cop to recognize him. The barber doesn't recognize him either, even though the cop and barber have just been describing Allen. This scene, I am sure, meant to emphasize the incompetence of the police and justice system, without using any words to do so. Fantastically done. I am in awe.

2) Chain gang inmate Barney Sykes (played by supreme character actor Allen Jenkins), finally released from jail, is offered a ride from the prison staff, who are carting the coffin of a dead inmate off the grounds. Very matter-of-factly, as though he has done this before (and thus demonstrating the de-humanizing effects of prison life) Sykes hops up onto the back of the truck and sits right on the coffin. Upon seeing this out the window, the other inmates ruminate on the fact that there are only two ways to leave the chain gang – `get let out, or die out.'

I will not give the ending away, but if it doesn't move you to tears, I don't know what will. Haunting.

My ONLY (minor) problem with the film is that all of the ladies in Allen's life look so similar, I could barely tell them apart!

HIGHLY RECOMMENDED!!!!! See it.

Reviewed by thinker1691 9 / 10

" I'm not a fugitive from the Law, but from injustice "

America has always prided itself on its just laws and it's sense of fairness. However, there are some segments of the country where law and justice, like money, have failed to trickle down into the general public. In some states, the legal system is as harsh and unforgiving as the crime itself. As a consequence, many heartless authorities believe the more brutal a punishment, the more justice is dispense. Indeed, the Southern states, established so sever a retribution on its criminals they became the focus of this accusatory film. The story is taken from the actual exploits of Robert Burns (Paul Muni) who finds himself convicted of the theft of $5.50 and sentenced to ten years Hard Labor. It's bad enough to be sent to a prison, but he's also sentenced to dehumanizing, torturous treatment. The bestial and barbaric practices drive him to dare an escape. Using ingenuity and daring, he makes for Chicago where he does well and soon climbs the ladder of success. Years later, he is discovered and threatened with a return. The Governor and many citizens sponsor his safety. However, using an old legal trick, the prison authorities convince Burns to return with a promise of release in a few months. Trusting them he voluntarily returns. However Burns learns he is not to be released as promised. The stripes, the Ball and Chain await him and upon learning of the deception, plots again to escape but the guards are waiting for him to try. A magnificent Black and White film and one which has established itself as a true Classic ****.

Reviewed by ElMaruecan82 9 / 10

Requiem for an American Dream...

  • How do you live?
  • I steal.


As a movie quote buff, I've been familiar with that brief exchange for almost ten years, ten entire years where I kept wondering what made these lines so memorable. If the protagonist was a fugitive from a chain gang, then what's the big deal about him stealing? Was he seducing a girl? Confessing to a cop? Whatever, there might have been something quite impacting about it, and all through the movie, I was looking forward to hearing that quote, I was anticipating it maybe even more than the film itself, which -you guessed it- took me right till the end and I say it's certainly one of the most haunting and unforgettable endings I've ever watched.

That's why I love watching movies, every once in a while, you have something that blows your mind, that keeps you speechless. I think the last time a similar experience left me that way was Richard Brooks' "I Want to Live!" with Susan Hayward. I think it's interesting that the two movies center on the flaws of the judicial system and on the harrowing journey of not-so innocent (but not plain guilty) protagonists, both victim of unfortunate circumstances and believing till the very end that the system works. Paul Muni is simply extraordinary as James Allen, the man whose soul is literally crashed by the chain gang routine and the barbarian conditions prisoners lived under..

When Allen has his first taste of whatever greasy excuse for a meal they served him, from his facial expressions, I could almost taste the awfulness. And the film is full of small little touches that makes it genuinely effective, notice that even when he's informed that food won't get any better so he better gets used to it, he tries a second bite and he gives up again, it's not as easy as it looks. Allen is like Billy Hayes in "Midnight Express" but this is no Turkish prisons, this is America, it's a shame that a civilized country had such awful places, but it's to its credit to allow the artistic expression to denounce it, and Melvin Leroy does it with the gripping and stark boldness of a neo-Realistic director and Warner Bros must be commanded for making one of the early prison movies with a social soul.

And the film has all the common tropes of the genre: nasty guards, friendly inmates, nightmarish first night, punishments, dying prisoners, and it's all wrapped up in a realism twice courageous since it addresses an audience who's most likely to react with "these guys are no angels, they had it coming". This is a prison movie destined to audiences who're not used to root for prisoners. Of course, it helps to know that Allen is innocent and was once a war hero and idealistic would-be engineer, but it doesn't change anything for the second act shows a man whose rehabilitation is complete and what goes in the last third act is the part that fills your mind with a cool and icy rage, when Allen decides to trust the system and give ninety days of his life to get the governor's pardon and then nine more months, before realizing it's hopeless, so hopeless Allen can't even react.

I'll repeat myself but that's because I'm truly a fan of "Midnight Express", Muni reminded me of Brad Davis' harrowing breakdown when he learned that his four years were extended to perpetuity, nine years wouldn't feel as perpetuity but what tortures Allen is the way he's taken to hell for a crime he didn't technically commit while the so-called representatives of the government can't even honor a promise, that's the real pain, the sense of betrayal. It's seldom that 30s movies would be so defiant toward the system, I said there's something neo-realistic in Melvyn Leroy's atmospheric and documentary-like take on the system but there are also moments of ironic poetry that recall Ford of French pre-war cinema. Paul Muni gives the kind of performance à la Gabin but with something even more detached and cynical at the end.

The film has a few 'naive' moments but when you know where this is leading up to, you just can't dismiss such a gem of the pre-Code era. Anyway, I regretted that Paul Muni, as "Scarface" was reduced to a double-crossing coward at the end not to make gangsters look sympathetic, and here he is the same year, being double-crossed by the system. And watching civilized countries turning good and innocent people into shadows of their former selves was quite a gutsy premise. Speaking of shadow, like I said found one of the most haunting endings ever, the last minute of the film is forever stuck in my memory, especially with Paul Muni's eyes, the way he slips into the darkness and say "I steal". Now, that's how you end a film with pure poetic perfection in an anticlimax that reflects the way a promising life was cut short because of a misplaced judicial zeal.

The film ends abruptly, with the darkness suddenly filling the screen and leaving us unaware of Muni's destination, wherever he's gone, we know he won't be back, but he'll never leave our memories.

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