There's been 15 years since the first "Jegerne" ("The Hunters), and it's very understandable that there was to be a follow up many years later. This is the finest of thrillers made by the Swedes. Kjell Sundvall has directed both, and that's probably why both th first and the second is almost equally good. The story is different, of course, but the feel and the tension is the same. The film never slips when it comes to make a tense feeling.

This is the most true of sequels. We meet the same people 15 years later, where a policeman's family was involved in a murder. All these years later he is ordered back, after a young girl has gone missing.

Both films is kept in the same tone. This is brilliantly done. It makes a kind of rural tension. Somewhere where bans between village people are so tight that no one dares speak up. We're in the rural North of Sweden, where hunting is an everyday event. The film depicts the nature and landscape in a beautiful way, and weaves this into the story.

We feel the tension all along, and this tension is what makes the films such a treat. The actors are great, where both Rolf Lassgård and Peter Stormare are as good here as in the first. Fine actors. The first film was never forgotten. Not even outside of Sweden. That's why many also was drawn to this continuation many years later. It could've all gone wrong, this follow up. It doesn't, due to fine script writing, great acting, good instruction as well as the Swedish nature.

False Trail is named, and put under the heading, of a thriller. Because of the lack of actually thrilling thrillers, this title didn't mean much to me. But Kjell Sundvall's movie really does as it says on the tin.

In this Swedish sequel, we follow Erik Bäckström, an aging policeman called down to his old home town where a young woman has gone missing. Here we watch a murder case unfold, and are not only confronted with Erik's painful past, but are lead into a deeper, more sinister mystery than we initially imagined.

What first hits you about this movie is the dark, dense setting. Set in the picturesque woods of Norrland Sweden, you're struck by wintry lakes and friendly faces. In the beginning, the characters seem like boring, basically normal people. But when we delve into the mystery, and the first inklings of doubt and suspicion creep in, things begin to escalate, and our opinions change at every twist.

This movie really kept me alive and thinking. Its plot twists were calculated and realistic, and the acting was superb. Peter Stromare's character was fantastically played; everything we once thought we knew about him is warped and distorted until we see the character that he is. Through tongue-in-cheek gore and unprecedented acts of violence, this story will make you jump in your seat and question every motive.

Without giving too much away, notice Sundvall's directing; cutting into the truth like a fly on the wall, and letting the chaos run wild around him, until the characters realise the daunting reality just a step too late. Excellently done. In total, a well thought-through movie that did indeed thrill.

This is a masterpiece of nail-biting intensity. It is a sequel to a film made as long ago as 1996 by the same director, Kjell Sundvall, with the same actor, Rolf Lassgard, called THE HUNTERS (JÄGARNA, 1996). Lassgard in both films plays Stockholm detective Erik Bäckström, who returns to his roots in the wild and remote northern part of Sweden, a land of vast conifer forests, hunters, and small introverted settlements where everybody knows everybody else far too well. In this sequel of many years later, there are a few wistful flashbacks lasting only a few flickering moments, but otherwise the story is full-on and right-now. The characters portrayed in this film are the Swedish version of 'hicks in the sticks'. and there is more than a whiff of DELIVERANCE (1972) about the atmosphere. All those men going out in gangs with guns to murder elk! There is an unpleasant scene in the film where a female elk is standing twitching her ears and looking with curiosity at the humans, and she is then shot in the forehead and falls over dead. There are a few gruesome scenes which are even more unpleasant. Everyone in this film carries guns frequently, and you would think they had all run for Vice President with John McCain. Rolf Lassgard is marvellous as the central character. He exudes so much gravitas, it could sink a battleship. He is one of those Scandinavians who doesn't have to say anything, he just makes a slight expression in his rather dour face, and you get the message. One can imagine him communicating with Sarah Lund by microscopic twitches of his facial muscles, and no words need pass between them. This is such a nail-biter that unless you wrap your hands in towels you won't have any fingernails left. As to who killed the girl Elin, when, and how, and with which rifle, well that would be telling. But this film is about far more than a murder mystery. It is about searing family tensions, battered wives and children, hypocrisy, cover-ups, psychotic obsessions, criminal ingenuity, corrupt police, desperate danger, and throughout it all, there is the pervasive atmosphere of fear and intimidation of a small community which dare not face its own devils. There is also sadness and redemption. It's all there, you just have to be strong. You will be totally mesmerised by this drama, which is unrelenting, and is what is called 'character-driven' rather than 'plot-driven'. It is about people, some of whom you would definitely not want to meet. But Rolf Lassgard gets my vote for best cop of the year, and also for Mr. Nice Guy of the Frozen North.