Director Jung has come to collect - in an exhausting, unwavering maelstrom of ambitious yet somehow derivative fist fights, shoot-outs, car chases and plane crashes, all shot with nauseating, nitrous-fuelled drones that appear caught in a perpetual tailspin. As a result, much of the action feels weightless and simulated, even when propped up by Won's insanely physical performance.

Carter is a protagonist for whom the laws of physics are merely a suggestion, and whose dramatic motivation is spoon-fed to him by inconsequential bit players between punch-ups, like cutscenes in a video game.

One time watch for the respect of Byung-gil Jung, who made The Villainess (2017).

This was similar to Hardcore Henry/watching a video game. And it switches from CGI back to people by using raindrops or sun-glare to transition. Its essentially constant action/fight scenes and the plot is him fighting the entire way to North Korea. The camera angles wrap around the action and so when he is in the alley on the motorcycle it got to be too much. Lots of tight circles and the viewer is basically spinning along with the camera.

Carter was a style over substance dizzying 132 minutes of utter ridiculousness, ruined by horrible camerawork and a convoluted story. Huge props to lead actor Joo Won, all the skilled stuntmen, insanely choreographed action scenes and the great action set pieces and visuals, but sadly, all that effort was wasted on unwatchable dizzying, seizure-inducing, single-take-looking headache-inducing camera work - and just as bad editing. Had all the great action and fight scenes been shot normally - with tact, intelligence, and aim, this film's action could've topped the Mission Impossible films. But instead, it was like a drunk on meth, with one fancy camera drone trying to keep up with the action. Then add a decent conceptual story, that ended up being incoherent and tried too hard to be smart with convoluted twists, and drag it out with unnecessarily repetitive long action scenes - for over 2 hours. It was frustrating, exhausting, and a huge missed opportunity to be a great action film. If you want to see it done properly - with great action and a great story, watch The Roundup with Don Lee. Writer and director Byung-gil Jung needs to stick to basic camera work and lessen the overbearing dramatics, as well as work towards better story-telling - in under 2 hours.